Tugas 4 Bahasa Inggris 2

NAMA : PAMUDITHA RIZKY

NPM : 15210358

KELAS : 4 EA 16

APPLICATION LETTER

EXAMPLE 1

Your Street Address
City, State Zip Code
Telephone Number
Email Address

Month, Day, Year

Mr./Ms./Dr. FirstName LastName
Title
Name of Organization
Street or P. O. Box Address
City, State Zip Code

Dear Mr./Ms./Dr. LastName:

Opening paragraph: State what position or internship you are applying to; how you learned of the organization or position, and basic information or qualifications about yourself.

2nd paragraph: Tell why you are interested in the employer or type of work the employer does (Simply stating that you are interested does not tell why, and can sound like a form letter). Demonstrate that you know enough about the employer or position to relate your background to the employer or position. Mention specific qualifications which make you a good fit for the employer's needs. This is an opportunity to explain in more detail relevant items in your resume. Refer to the fact that your resume is enclosed. Mention other enclosures if such are required to apply for a position.

3rd paragraph: Indicate that you would like the opportunity to interview for a position or to talk with the employer to learn more about their opportunities or hiring plans. Restate briefly why you're so passionate about the opportunity you're applying for. State that you would be glad to provide the employer with any additional information needed. Thank the employer for her/his consideration.

Sincerely,

(Your handwritten signature)

Your name typed

(Note: the contents of your letter might best be arranged into four paragraphs. Consider what you need to say and use good writing style. See the following examples for variations in organization and layout.)

EXAMPLE 2

May 28, 2010

THE HUMAN RESOURCES & ADMINISTRATION HEAD
Inara Lightings, Ltd.
Abu Dhabi
United Arab Emirates

Dear Sir or Madam:

I am writing to explore the possibility of employment as Document Controller in your reputable firm. I am a Computer Science graduate of the University of the Philippines, Diliman, Quezon City. I bring with me several years of experience as information systems analyst of leading companies that include Nissan Motor Philippines, Inc.

My strong computer skills, knowledge of modern word processing software, and project management tools are but some of the things that make me an asset to your company.

Attached is my resume for your perusal. Should you require any further information, I can be reached at 632-555-1234 (during regular business hours), or at 632-555-6789 (during regular business hours).

Sincerely,
(signed)
RINI ROSYIDAH

EXAMPLE 3 Dear,       Head of Personnel       PT. Rodalink of Retail       JL. Pejompongan 15 A       Jakarta  Dear Sirs, In response to your advertisement in the Kompas daily issue dated May 2, 2014for the position of secretary, I would like to offer myself for the position. I was twenty-two years and has worked as a typist for two years. After graduatingfrom the Academy secretary, my job training for secretarial work for three months.Now I feel have the skills necessary to fill the vacancy that you are offering. For further information, I hereby attach a curriculum vitae, a statement from the academy, and my latest photograph. I hope you will be considering this proposal, and gave me a chance to interview.      Yours  Sincerely,     Pramuditha Rizky. Sumber :http://www.uwb.edu/careers/job-search-tools/coverletters/sample-application http://www.belajarbahasainggris.us/2012/01/contoh-surat-lamaran-kerja-bahasa.html

Tugas Soal 3 Bahasa Inggris 2

TUGAS  SOFTSKILL BAHASA INGGRIS BISNIS 2

NAMA  : Pramuditha rizky

KELAS : 4EA16

NPM      : 15210358

A.   Melengkapi kalimat dengan kata - kata dibawah ini.

Waste – Award – Leisure – Trekking – Ordinary – Remember – Save – Jogging
  

1.  If you spend lots of hours in front if tv, that means you just Waste precious time.
2. When an actor receives an Award his fame becomes double.
3. Leisure activities have the some meaning as the free time activities.
4. Maybe an Ordinary person in the street doesn’t know this but you, as an educated person must certainly know his.
5. Trekking is a long difficult journey

B.   Membuat kalimat dengan kata - kata dibawah ini.

Waste – Award – Leisure – Trekking – Ordinary – Remember – Save – Jogging
  

1.        Disposing of waste in an environmentally-friendly manner is crucial to your business.

2.        Liam Neeson received the Best Actor Oscar and British Academy Awardnominations for his performances in several films that starred.

3.        Leisure, or free time, is time spent away from business, work, domestic chores, and education.

4.        Trekking is an activity in which people take multi-day hiking trips through rural, often rugged territory.

5.        If you think this is going to be a typical story of school life, you'll be surprised to know that the ordinary definitely doesn't happen in Myordinary Life.

6.        I remember that a lot of project work that has not been done.

7.        All photos memories during college, I save it into a smartphone.

8.        Sprinting for 60 minutes a week burns just as much fat as jogging for 7 hours a week.

Tugas Penulisan 3

RED BULL RAMPAGE: A BRIEF HISTORY | PHOTOSTORY

The ultimate freeride mountain biking competition, Red Bull Rampage, is back. So what better time than now to take a look at the history of the event?

Back in 2001, the Red Bull Rampage concept was conceived to serve one of the fringes of the blossoming mountain-bike movement. There were riders - courageous, driven and a little crazy - who were at once exploring new terrain, testing their own limitations and defining a new genre of the sport… and their riding style was not represented at all in competition. 

Christian Pondella/Red Bull Content Pool 

Freeride mountain biking was rapidly evolving with every insane drop and first descent, and Red Bull Rampage was on board to help push it even harder.

John Gibson/Red Bull Content Pool

Christian Pondella/Red Bull Content Pool

The inaugural event was a landmark in the sport's history and was followed by three more through 2004. If you won Red Bull Rampage - or even survived the weekend with all your bones intact - your reputation as a bad ass on two wheels was unassailable.

John Gibson/Red Bull Content Pool
 

Ian Hylands/Red Bull Content Pool  

Unlike events with a defined course and familiar obstacles, Red Bull Rampage let the riders determine their own route down treacherous cliffs; the more creative and risky the line, the better the score.

Christian Pondella/Red Bull Content Pool

Ian Hylands/Red Bull Content Pool

John Gibson/Red Bull Content Pool

John Gibson/Red Bull Content Pool

After 10 years of making and breaking careers, launching insane tricks that fill global highlight reels and pushing the boundaries of professional freeride mountain biking, Red Bull Rampage will once again bring the best of the sport to Virgin, Utah for a downhill spectacle that will be sure to drop jaws around the world. On October 5-7, 2012, for 36 chosen athletes, Red Bull Rampage will be their chance to prove who is the most spectacular and well-rounded freerider on the planet.

John Gibson/Ian Hylands/Red Bull Content Pool

Sumber : http://www.redbull.com/cs/Satellite/en_INT/Article/Red-Bull-Rampage-A-Brief-History-Photostory-021243251558342

Tugas Penulisan 3

 Biografi Aaron Gwin

© Garth Milan/Red Bull Content Pool

Bio

Aaron Gwin started his cycling career off early racing BMX from age 4 and was competing in

the nationals by the time he was 8. Aaron moved on to motocross and raced up until he

was 17 when he quit due to constant injuries and is now conquering the mountainbike world.

In 2008 Gwin was loaned a bike by fellow professional downhill racer and good friend

Cody Warren and was encouraged to compete in a race.

Much of Aaron's style and skill come from his motocross days, and his whips and jumping

technique are clear in videos. He also gained a lot of flow from racing BMX for so many years,

it also shows in his Dual Slalom and Mountain Cross results. Aaron joined the Trek World Racing

Team in November 2010 after relocating to Temecula, California.

In 2012, Aaron wrapped up the season early, taking an overall win at the penultimate

round of the UCI Mountain Bike World Cup, with a month to go until the final race of the series.

Aaron’s 5th place at Val d’Isere gave him a 260 point lead in the cup standings,

with only 250 points available between August and the final round in September.

In his latest video, 'Aaron Gwin: The Fastest Man on Two Wheels', Aaron can be seen

at top speed descending down a mountain in Idyllwild, California.

After a disappointing UCI season in 2013, Aaron is looking forward to the next few months of competion.

Sumber : http://www.redbull.com/en/bike/athletes/1331574466118/aaron-gwin

Tugas Penulisan 3

Biografi Of Skrillex

Sonny John Moore (born January 15, 1988), better known by his stage name Skrillex, is an American electronic musician and singer–songwriter. Raised in Northeast Los Angeles and in Northern California, Moore joined the American post-hardcore band From First to Last as the lead singer in 2004, and recorded two studio albums with the band (Dear Diary, My Teen Angst Has a Body Count, 2004, and Heroine, 2006) before leaving to pursue a solo career in 2007. He began his first tour as a solo artist in late 2007. After recruiting a new band lineup, Moore joined the Alternative Press Tour to support bands such as All Time Low and The Rocket Summer, and appeared on the cover of Alternative Press' annual "100 Bands You Need to Know" issue.
After releasing the Gypsyhook EP in 2009, Moore was scheduled to record his debut studio album, Bells, with producer Noah Shain. However, he ceased production of the album and began performing under the name Skrillex. After releasing the My Name is Skrillex EP for free download on his official MySpace page, he released the Scary Monsters and Nice Sprites EP in late–2010 and More Monsters and Sprites EP in mid–2011. Both have since become moderate commercial successes. On November 30, 2011, he was nominated for a total of five Grammy Awards at the 54th Grammy Awards, including Best New Artist and won three: "Best Dance/Electronica Album," "Best Dance Recording," and "Best Remixed Recording, Non-Classical". On December 5, 2011, the BBC announced that he had been nominated for their Sound of 2012 poll. On December 12, 2011, he was also named MTV's Electronic Dance Music Artist of the Year.

Sumber : http://www.kaskus.co.id/thread/000000000000000016927438/all-about--skrillex--dubstep

Tugas Penulisan 3

BRAIN TECHNOLOGY system of specialized 

When ultimate suspension efficiency and control on the trail are required, nothing compares to the Specialized Brain. Found on the Epic and Stumpjumper HT XC race machines, and super-versatile Stumpjumper FSR trail bike, the Brain has been refined and tuned to perform on varying terrain for the sport’s most demanding riders. The Epic is the first full-suspension bike to win a Cross-Country World Championship (it’s won several in fact), and in each of those victories riders were propelled to victory aboard the one-of-a-kind Brain shock. Not only the go-to choice for full-suspension endurance racers, the trail-tuned Brain shock has elevated the Stumpjumper FSR above and beyond its legendary status.

Sumber : http://www.specialized.com/us/en/technology/brain

Tugas Penulisan 3

Repack History by Joe Breeze It started innocuously enough. A motorcyclist turned bikie discovered the old dirt road west of Fairfax, Marin County, in the early ‘70s. He and his buddies would ride or push their 1930s or ‘40s ballooners to the top of the ridge for the downhill thrill. The road plummeted 1300 feet in less than 2.1 miles. On the twisting, sometimes precipitous decent, the bikes’ antiquated hub coaster brakes would get so hot that the grease would vaporize. After a run or two, the hub had to be repacked with new grease (thus the term “Repack”). Repack Road had been a popular downhill for a couple or three years, but whenever you get a bunch of competitive types together, someone is going to claim they are the fastest. And eventually people will want proof. With Alan Bonds’ encouragement, Fred Wolf and Charlie Kelly founded Repack, the race. They decided on a time-trial format, got a Navy chronometer and an alarm clock set a date and spread the word locally. On October 21, 1976, ten local riders showed up to test their mettle. When the dust had cleared Alan Bonds was declared the victor. He was the only one who hadn’t crashed. The race became a magnet for riders from all around the Mt Tamalpais area. So eager were they to compare handling skills on the treacherous course, the first nine Repack races were held on the average of one a week. Racers and spectators would meet in downtown Fairfax, CA. Many would load their bikes into the back of waiting trucks for a lift up a paved road to the 1000-foot level. From there they road their bikes on dirt the last 2 miles, climbing the remaining 500 feet. The start line was on an open ridge on the east face of Pine Mountain, with expansive views of Mt. Tam, Marin and San Francisco Bay. In this inspiring setting, riders chatted about the past week’s or month’s new bike discoveries and developments. Riders were sent off individually at two-minute intervals. To build suspense, the fastest riders from previous races would go last. As the pack at the top dwindled, a hush would fall over the remaining riders waiting for their start. I for one, with about ten minutes to go, would seek solitude to visualize the courses’ many turns and adjust the pressure of my old UniRoyal Knobby tires to suit the conditions. I had fitted my 45-pound Schwinn Excelsior with 26 x 7 (vintage one-inch pitch) gearing. Once on the start line Charlie Kelly, timer in hand, would hold my rear wheel until the last second. I’d lunge forward, driving all my weight on the pedals to produce enough momentum to help me muscle the tall gear over a slight rise 5o yards out. From there it was all downhill and speed. The road is littered with in-line gullies, blind and off-camber turns, and the occasional cluster of head-size rocks. Knowing the road beyond each turn was key. I had made mental notes of landmarks such as geology, flora, and past mistakes. Among the latter were Danger “X” and Breeze Tree (whose moniker wasn’t earned as harshly as Vendetti’s Face). The course rolls quickly down the ridge to the steep final face, which has a series of four switchbacks. These steep sharp turns, especially Camera Corner, would be lined with spectators. Then it’s a final straightaway; another blind turn, across the finish line, and into a big Franz Klammer slide. While race times were calculated, the throng would exchange stories of the day’s near misses, and chat more about the bikes. The rain begins to fall on the seeds; a sport, mountain biking, is born. Repack was a crucial event in the development of mountain biking. Here for the first time, Mt Tamalpais Bikers were all drawn together on a regular basis to share their stories and share their ideas about the new bike. This cross-pollination of ideas spurred the bike’s evolution and solidified the sport. Racing generated new excitement and an event to focus on. Racer and reporter Owen Mulholland spread the word out of Marin with his story “California bikies are mountainside surfing, in VeloNews, February 10, 1978.” Then in January 1979, San Francisco’s KPIX-TV shot a segment for its “Evening Magazine” show, (can be seen at the Mountain Bike Hall of Fame’s Museum in Crested Butte), which aired around the country on CBS affiliates. In 1979, Charlie Kelly published a story in Outside Magazine. The word was out. In all there were 24 Repack Races. Twenty-two of them were held from 1976 to 1979, mostly in the fall as the road-race season wound down. There were also annual Klunker Awards Banquets to honor the year’s Repack winners. Among the winners were Gary Fisher, who posted the fastest time at 4:22. Joe Breeze had the second fastest time at 4:24 and the most wins, 10. Wende Cragg was the fastest woman with a 5:27. Otis Guy was awarded Fastest Fireman at 4:25. Alan Bonds’ dog Ariel got the prize for Fastest Dog. After 1979, Repack’s organizers and racers focused increasingly on their own businesses, many of which focused on the new bikes. Mountain bikes were becoming lighter and more versatile. Emphasis shifted from downhill to cross-country exploration. The last two Repack races, in 1983 and 1984, were a bit for old time’s sake. Scheduled in conjunction with the fledging NORBA National race circuit, they gave riders from outside the Bay Area a crack at the legendary course. Some of the sport’s first Pro riders raced in those final two Repacks. After the 1984 race, Marin County land and water managers made it clear that Repack, the race, could be no more. There was little resistance; the race’s time had come and gone. A list of Repack participants reads like a Who’s Who of mountain bike innovators and racers in California. Besides the oft named Marin County riders, there were Tom Ritchey (1979), Mike Sinyard (1983), Brian Skinner, Dan Hanebrink, Mike Jordan, David Wonderly, Joe Sloup, Jim Harlow, Steve Boehmke and Jimmy Deaton (winner in ‘83 and ‘84). Jammin’ Jimmy went on to a successful Pro career. Fairfax-born downhill ace Myles Rockwell was only 12 years old in 1984. Twenty years almost to the day of the first Repack race mountain biking was included in the 1996 Olympic Games in Atlanta. That is the icing on the cake for this now worldwide sport. Sumber : http://www.mtnbikehalloffame.com/page.cfm?pageid=14

Tugas Penulisn 3

A history of trance music

Trance music is a form of dance music characterised by an emphasis on synthesized melodies and house style electronic 4/4 beats. Trance tracks are usually based around heavily quantized melodies, with a hypnotic and often repetitive feel (hence the name). Common sounds heard in trance are arpeggiated and gated synth riffs and sweeping pads, with the few real instruments limited usually to piano, strings and acoustic guitar, if used at all. Often large, amounts of delay and reverb are used, adding to the emotional, uplifting quality of the genre.

Early Days

The first forms of trance music emerged in the early 1990s as the dance revolution gripped the UK and mainland Europe. House music had already taken hold, and techno had also become popular in Europe by this time. Most of the dance music being produced at the start of the decade was sampler-based; sampling technology was relatively new at the time, and had become affordable enough for it to be mainstream. By the middle of the decade, however, dance pioneers were looking to take their sounds in a new direction; this led to the reappearance of the synthesizer which, despite being heavily used in the early 1980s new romantic and electro boom, had been rather overlooked since the sample-based dance music revolution of the mid to late 1980s.

Two particularly influential synthesizers did continue to play a part in early house music - Roland's TB-303 Basslineand TR-909 drum machine. Misuse of the TB-303 formed the basis of acid house, originating in America and becoming popular in the UK between 1987 and 1990, while the TR-909 formed the basis of the vast majority of house music rhythms by the 1990s. While house eventually moved away from TR-909 based rhythms by incorporating sampled drum loops and breakbeats, trance music retained the TR-909 sounds which continued to be popular right through until the 2000s. Acid house featured many of the characteristics of trance, but was was a more minimal genre with a focus on the sound of a repeating, distorted TB-303 riff rather than the melody created by the TB-303 itself. This may have been partly due to the TB-303 only featuring a single octave keybord (although options to increase or decrease the octave range were available), which had to be programmed rather than played. By 1990,acid house had been superseded by more melodic forms of house and techno, with piano house becoming popular and stab-driven techno melodies starting to feature in early rave music.

Against this backdrop, some early tracks were released which proved influential in the future development of trance. Future Sound of London released Papua New Guinea in 1991 - essentially a breakbeat techno track but featuring uplifting atmospheric pad sounds rather than the rave stabs or piano riff samples common at the time. Hardfloor, a German techno group, released Hardtrance Acperience in 1992 - a piercing acid house cut but with a greater focus on melody than traditional acid house. This sound was taken even further on their 1994 tracks Into The Nature and Fish and Chips. Jam and Spoon, also from Germany, released Stella in 1992 and remixed Age Of Love the same year, which are widely regarded as the first trance tracks. In 1993, a track called Dreams was released by Quench, becoming an underground club hit which also received airplay on Pete Tong's UK Radio 1 show during December 1993. This was a very early example of a trance track combining atmospheric pads, and the filtered saw-wave synthesizer riffs more commonplace by the end of the decade - indeed, Lost Tribe's Gamemaster from 1998 features a riff based on Dreams. One giveaway that Dreams is an earlier production is that the cutoff filter sweep occurs quickly across the synth riff rather than gradually building up, as on later trance tracks. More typical of the proto-trance sound around at that time is the vocal mix of Celebrate by Miro; the filter sweeps are not yet present, but Celebrate does feature an infectious, repeated lead riff over gradually building synth pads and a bassline which changes key, techniques employed by trance producers in later years to create the trademark hypnotic feel of the genre.

While piano house, jungle and garage dominated British clubs in the mid-1990s, trance music continued to develop in continental Europe, particularly in Germany. Early trance featured many elements from European techno and commercial European rave music from the era, such as the Mark'Oh trackTears Don't Lie (1995), began to take on the stuttering, gated synthesizer chords later associated with trance. Gradually, this sound diverged as a genre in its own right, and underground trance steered away from the toytown-style major key riffs while retaining its melody-driven feel. Italian producer Robert Miles released Children in 1995, featuring classical style piano and strings alongside the gated trance pads and helping to start a subgenre known as "dream house". In the UK, meanwhile, some house and techno producers began to pick up on the trance sound and incorporated it into their tracks, for example JX with You Belong To Me (1995) - the No Respect remix being a good example of an early UK trance sound. This style became known as Nu-NRG and became faster and harder, taking on elements such as Roland Alpha Juno 2 "hoover" synthesizer noises and off-beat bass stabs, eventually morphing into UK hard house.

Sumber : http://www.toucanmusic.co.uk/articles/trance.php

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NAZI PARTY

Under the leadership of Adolf Hitler (1889-1945), the National Socialist German Workers’ Party, or Nazi Party, grew into a mass movement and ruled Germany through totalitarian means from 1933 to 1945. Founded in 1919 as the German Workers’ Party, the group promoted German pride and anti-Semitism, and expressed dissatisfaction with the terms of the Treaty of Versailles, the 1919 peace settlement that ended World War I (1914-1918) and required Germany to make numerous concessions and reparations. Hitler joined the party the year it was founded and became its leader in 1921. In 1933, he became chancellor of Germany and his Nazi government soon assumed dictatorial powers. After Germany’s defeat in World War II (1939-45), the Nazi Party was outlawed and many of its top officials were convicted of war crimes related to the murder of some 6 million European Jews during the Nazis’ reign.

Sumber : http://www.history.com/topics/world-war-ii/nazi-party

Tugas Penulisan 3

History of Rock Music

The history of rock music isn't cut and dry. Many individuals debate who the first rock singer was and what the first rock song was. However, it is known that the history of rock music comes from the old R&B mixed with some country and western and fused with a little rockabilly.
The exact time period that the history or rock music started in is not known. There were rock and roll elements showing up in blues songs and old country western songs as far back as the 20's and 30's. By the 1950's the history or rock music had begun.
The phrase rock and roll used to have a sexual connotation attached to it. The phrase sometimes contained to two meanings. It appeared to mean dancing but was also associated with sex. It was first used in the title of Trixi Smith's 1920's song, “My baby rocks me with one steady roll.” However, it was Alan Freed a disc jockey from Ohio that first came up with the phrase rock and roll in 1955. With that, the history of rock music was well under way.
As stated before, just who started the history of rock music is under debate. This is because rock and roll music evolved from different genres and some songs that belonged to the blues, jazz, country, and gospel genres offered elements that could be considered rock and roll. However, it was Bill Haley's song, “Rock around the clock” that became popular enough to top the Billboard music charts.
In the history or rock music there have been many icons. Among the earliest rock stars are names like Bill Haley, Chuck Berry, and Little Richard. These early stars of the history or rock music led to the popularization or rock and a culture change that shocked the world. The dance crazes, fashion styles, and pop culture that followed the early history of rock music were made possible by these early stars.

Sumber : http://rockmusic.mu/

Tugas Penulisan 3

history of cafe racer jacket

The history of Cafe Racer motorcycles and style starts with the Ton Up Boys, also known as Rockers or Leather boys. These groups were part of the biker subculture that originated in the United Kingdom in the late 950s. The Ton Up Boys centered around two main cultural magnets: Cafe Racer motorcycles and Rock and Roll music.

The term ‘cafe racer’ became common because riders often travelled between Transport Cafes (truck stops or rest areas) and usually used them as checkpoints for road racing.



The top hang out spot and meeting grounds for the rebel subculture was The Ace Cafe in London.



The Ton Up Boys influenced popular culture throughout the 50s and 60s.  The Rocker style started to grow and define a new generation of baby boomers. The Beatles, as well as many hard rock and punk rock groups, drew style inspiration from the Cafe Racer subculture: leather jackets, patches, jeans, and boots made popular by the cafe racer Ton Up Boys.

Sumber : http://www.vintageracer.com/#!cafe-racers/c1l61

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history of cafe racer motorcycles

Café racer styling evolved throughout the time of their popularity. By the mid-1970s, Japanese bikes had overtaken British bikes in the marketplace, and the look of real Grand Prix racing bikes had changed. The hand-made, frequently unpainted aluminium racing fuel tanks of the 1960s had evolved into square, narrow, fibreglass tanks. Increasingly, three-cylinder Kawasakis and four-cylinder Hondas were the basis for café racer conversions. By 1977, a number of manufacturers had taken notice of the café racer boom and were producing factory café racers, most notably the Harley-Davidson XLCR.^[12]

In the mid-1970s, riders continued to modify standard production motorcycles into so-called "café racers" by simply equipping them with clubman bars and a small fairing around the headlight. A number of European manufacturers, including Benelli, BMW, Bultaco and Derbi produced factory "café" variants of their standard motorcycles in this manner, without any modifications made to make them faster or more powerful.^{[citation needed]}Eventually the café racer style became just a styling exercise that served no functional purpose and simply made the bike less comfortable to ride; so the trend quickly waned in popularity. Soon afterward, most new sport bikes began featuring integral bodywork from the factory, negating the need or ability to retrofit an aftermarket café fairing.

http://en.wikipedia.org/wiki/Caf%C3%A9_racer